A key takeaway from Block’s framework is that the visual structure must mirror the story structure. Just as a story has an , the visuals should follow a similar graph:

The engine that drives visual intensity is the relationship between (difference) and Affinity (similarity).

: Gradually increase contrast and intensity as the narrative stakes rise.

: Shapes like circles, squares, and triangles have inherent meanings. For example, rounded shapes may suggest friendliness or organic life, while sharp angles and triangles can signal danger or precision.

: As the first thing to attract a viewer's eye, movement includes the motion of objects within the frame, the movement of the camera itself, and the audience's point-of-attention.

: This is the range of brightness from black to white. High-contrast lighting can build drama and mystery, while tonal affinity (similar brightness levels) creates a sense of calm or continuity.

: The greater the difference between visual components (e.g., a bright white object against a pitch-black background), the more the visual intensity increases.