[s5e2] I Can't Quit You Babe -

Initially, Eric is the biggest protestor. He’s ready to march on the Pinciotti house to save Donna from a life of repressed education. But then, the universe (and the wardrobe department) provides a classic 70s trope: . Suddenly, Eric’s moral objections vanish faster than Kelso’s common sense. Watching Eric try to pivot from "This is an outrage!" to "Actually, education is very important" while Donna stands there in a plaid skirt is peak Forman awkwardness. The Hyde/Jackie/Kelso Triangle Heats Up

That '70s Flashback: Why Eric Forman Can’t Quit Those Plaid Skirts [S5E2] I Can't Quit You Babe

While Eric is distracted by pleats, the rest of the gang is dealing with some serious romantic friction: Initially, Eric is the biggest protestor

In one of the best B-plots of the season, Fez lands a job at the . It’s the perfect place for him—a world where he has absolute power over people’s licenses and can be as petty as he wants. Plus, we meet his new boss, Nina, who is just as neurotic as the rest of the crew. Final Thoughts It’s the perfect place for him—a world where

Bob Pinciotti has finally had enough of Donna’s California dreaming and running away shenanigans. His solution? .

This week, the Forman driveway is a battleground of teenage rebellion and very specific uniform preferences. Here’s the breakdown of what went down in "I Can't Quit You Babe." The Parochial Problem