: It discusses the film's unique structure—a zombie movie within a zombie movie—to explore tensions between fictional genres and "eventness" in the post-truth era.
: The print features character Harumi Shuhama and is printed on glossy archival paper .
: This paper examines how the film uses "meta-realism" or "hyper-realism" to represent monsters in a modern media context. One Cut of the Dead(2017)
: The full text or abstract is available on platforms like ResearchGate and Springer . Physical Paper Prints
The film itself is a "love letter to indie filmmaking," often discussed in the context of low-budget ingenuity where physical props (like makeshift scripts on paper or sticky paper for DIY special effects) are essential to the narrative's third act, which reveals the chaotic behind-the-scenes reality of the production. POM! One Cut of the Dead 5" x 7" Print - Jason Edward Davis : It discusses the film's unique structure—a zombie
For fans of the film, artist offers a physical "POM! One Cut of the Dead" 5" x 7" digital print.
The 2017 Japanese film (Kamera o Tomeru na!) has been the subject of academic analysis and creative products involving paper media. Academic Paper : The full text or abstract is available
: It can be found on the official Jason Edward Davis website . Filmmaking Context