Mavado - I'm On The Rock

Mavado - I'm On The Rock -

Install latest/beta of Logos Bible Study App v10 (via WINE)

This channel hasn't been updated in a while. It might be unmaintained and have stability or security issues.

Ubuntu 16.04 or later?

Make sure snap support is enabled in your Desktop store.


Install using the command line

sudo snap install logos10-unofficial --beta

Don't have snapd? Get set up for snaps.

Logos Bible Study App v10 (via WINE) is only available on the unstable beta channel. It could break and change often.

Channel Version Published

Mavado - I'm On The Rock -

The track was produced by Leighton "Livity" Coke under the Live Up Records label. Riddim: It is the standout track on the "Mission Riddim."

While Mavado has since released tracks with higher digital streaming numbers, "I'm On The Rock" remains one of his most "culturally essential" releases. 4. Live Performances

Fans and critics often cite it as a "top-tier" or "classic" tune that evokes nostalgia for the 2000s dancehall era.

The track remains a staple in dancehall sets globally. DJ Khaled, a long-time collaborator, frequently references the song and used the title as a tagline for his "Return of the Gully Gad" concert in 2025. 3. Notable Statistics & Recognition

The song is a highlight of Mavado’s live shows, with significant recent performances at: My Home is on the Rock: A Prayerful Celebration - TikTok

The song features Mavado’s signature melodic-yet-gritty delivery, blending spiritual undertones with street narratives. The lyrics reflect resilience, spiritual protection, and staying firm against adversaries—a recurring theme in his early work. 2. Cultural Impact & Legacy

"I'm On The Rock" is a cornerstone of modern dancehall, released in 2007 as part of Mavado’s debut studio album, Gangsta for Life: The Symphony of David Brooks . It is widely considered one of the defining "anthems" of the Gully Side movement, cementing Mavado’s status as a global dancehall icon. 1. Production & Composition

Its international success led to a high-profile remix featuring Jay-Z in 2008, which helped bridge the gap between Jamaican dancehall and American hip-hop.


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