In Corpore (2020) -

In Corpore can be seen as an embodiment of phenomenological principles, which emphasize the primacy of lived experience and the bodily basis of consciousness. The performance invites audience members to engage with the dancers' bodies as sites of lived experience, rather than simply as objects of observation. Through this process, the audience is encouraged to become aware of their own bodily presence, and to explore the ways in which their own experiences of self and identity are shaped by their bodily existence. By emphasizing the embodied nature of human experience, In Corpore creates a sense of shared understanding and collective embodiment that transcends the boundaries between performer and audience.

In Corpore takes the body as its primary site of inquiry, using movement and dance to explore the complex relationships between physicality, identity, and consciousness. The performers' bodies are used as a canvas for exploring the tensions between internal experience and external expression, as they navigate the spaces between vulnerability and control, freedom and constraint. Through the use of repetitive movements, contorted postures, and fluid gestures, the dancers embody the fragmented and multiple nature of self, highlighting the disconnections and dissonances that can exist between body and mind. In Corpore (2020)

One of the most striking aspects of In Corpore is its use of proxemics and physicality to blur the boundaries between self and other. The performers frequently touch, overlap, and entwine with one another, creating a sense of bodily interconnectedness that challenges traditional notions of individuality and separation. This blurring of boundaries is reinforced by the use of costumes, lighting, and set design, which create a dreamlike atmosphere that fosters a sense of ambiguity and uncertainty. As the performers move in and out of sync with one another, the audience is invited to reconsider the notion of a fixed, autonomous self, and to explore the interdependent nature of human experience. In Corpore can be seen as an embodiment