The title refers to the "Nahualli," a mythic shape-shifting beast from Mexican folklore. The music reflects this through a frenetic collage of sound that transforms a simple, laid-back melody into a high-energy exploration.
Brennan utilizes electronic effects and pitch-bending on her vibraphone, creating unusual "squiggles and slides" that critics have compared to the work of avant-jazz guitarist Mary Halvorson.
The track showcases the tight interplay of a unique percussion-heavy ensemble featuring Marcus Gilmore (drums) and Mauricio Herrera (percussion), delivering what reviewers call a "visceral meteor collision" of sound. Critical Reception el_nahualli_the_shadow_soul
The track is built on an oblong bass ostinato performed by Kim Cass, which provides a steady yet complex foundation for the melody to glide over.
com/release/more-touch/">tracks from the More Touch album or see how Brennan's style evolved in her follow-up, ? NEWS - PATRICIA BRENNAN The title refers to the "Nahualli," a mythic
commends it for envisioning the "rampage of a mythic beast," solidifying Brennan's place among modern vibraphone greats.
Critically recognized as one of the most upbeat and energetic tracks on the album, "El Nahualli" serves as a masterclass in modern improvisational jazz. It is praised for its "mystical qualities" and its ability to blend Mexican folk influences with avant-garde experimentation. The track showcases the tight interplay of a
is a standout composition by vibraphonist and composer Patricia Brennan , featured on her critically acclaimed 2022 quartet album, More Touch . Review Summary