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Effect Layers allow a new way of scattering. Like building up layers in Photoshop, you can now layer, mix and blend effects for Masking (Height, Texture, Slope, etc.), Optimization and Objects.

Released in 1993, the music video for (also known as "Real Compton City G's") is widely reviewed as one of the most ruthless and strategically effective diss responses in hip-hop history. Directed by Marty Thomas , the video serves as a visceral rebuttal to Dr. Dre and Snoop Dogg's "Dre Day," focusing on dismantling Dr. Dre's "gangsta" image through visual evidence and street-level authenticity. Review of Visual Strategy and Content
: Eazy-E famously used the video to showcase old photos and footage of Dr. Dre from his days in the World Class Wreckin' Cru , featuring him in flamboyant, sequined outfits and makeup. This effectively contrasted Dre's new "Death Row" persona with what Eazy-E presented as his "true" flashy, pop-oriented past.
: While some fans argue it lacks the lyrical complexity of disses like "No Vaseline" or "Hit 'Em Up," many reviewers on platforms like Reddit and IMDb praise it as a "masterclass" in exposing a rival. eazy_e_real_muthaphuckkin_gs_music_video
: During filming, Suge Knight reportedly threatened A.J. Johnson with a gun for participating, leading Johnson to leave halfway through. He was replaced by Arnez J , meaning both actors appear as "Sleazy-E" in different scenes of the final cut. Reception and Legacy
The video's impact stems from its "show, don't just tell" approach to battle rap: Released in 1993, the music video for (also
: The video features a parody character named Sleazy-E , who is chased throughout Compton by Eazy-E, Dresta, and B.G. Knocc Out. In a meta-commentary, Eazy-E hired Anthony "A.J." Johnson —the same actor who played the Eazy-E parody in Dre's "Dre Day" video—to play the Sleazy-E role.
: Filmed on location in Compton , the video features real gang members and local residents rather than just actors. Critics often note that this gave the video a "menacing" and "raw" energy that countered the high-production, cinematic feel of Death Row's videos. This effectively contrasted Dre's new "Death Row" persona
: One of the most devastating points noted in reviews is the reveal that, due to his contract with Ruthless Records, Eazy-E was still profiting from Dr. Dre’s music. This was famously summarized in the line: "Dre Day only meant Eazy's payday" .