Crazy Son [prologue Part 2] By Crazy: Wanker

: By lowering your own status as the author, you gain the freedom to say the unsayable.

If the first part of a prologue sets the stage, is traditionally where the illusion of normalcy is completely shattered. 💥 Breaking the Parental Pedestal

: We need to see the exact moment the friction between the narrator and the "Crazy Son" sparks an actual fire. Crazy Son [Prologue Part 2] By Crazy Wanker

: Move away from exposition. Describe the smell of the room, the twitch in the son's jaw, or the heavy, ringing silence after an argument.

There is a specific kind of liberation that comes from adopting a moniker like "Crazy Wanker" to tell a story about a "Crazy Son." It strips away the polished, safe veneer of mainstream literature and dives headfirst into the messy, uncomfortable, and deeply human corners of our minds. : By lowering your own status as the

To write under a self-deprecating or aggressive pseudonym is a deliberate choice. It tells the reader immediately: I am not here to give you a sanitized, polite version of the truth.

: End the prologue with a line or an action that ensures the characters can never go back to the way things were in Part 1. : Move away from exposition

If you are currently drafting or analyzing this piece, a strong second half of a prologue generally needs to leave the reader feeling off-balance: